Production your marketing team can plan around.

Yes. We've covered productions up to four consecutive days — the AASA Cup tournament ran four straight days of match coverage, recap edits, and a championship film. Multi-day scope is planned in pre-production: coverage priorities per day, daily deliverable schedule, and a single point of contact throughout.

Yes, and it's usually the better buy. One team captures both on the same production day, so the visual style matches across the gallery, the recap film, and the social cuts — and you're not coordinating two vendors on site.

Same-day social cuts are available when scoped in advance — edited on site or overnight for morning posting. Full recap films typically deliver within 1–2 weeks. Rush timelines are a scoping conversation, not a guessing game: tell us the date content must be live and we plan backward from it.

Yes. We regularly slot into existing marketing operations — your team owns strategy and channels, we own production and post. For agencies, we operate as a production partner under your creative direction, with clear credit and usage terms agreed up front.

Full commercial usage for the contracted scope, defined in writing before production. Full IP ownership transfer at exit is standard on our engagements. If you need broad perpetual rights or paid-media usage, say so in the brief — it affects scope, not feasibility.

For single-day productions, 2–4 weeks is comfortable. For multi-day events or campaigns with fixed launch dates, 6–8 weeks lets pre-production do its job. Shorter windows are sometimes possible — ask before assuming it's too late.

W-9, references from active clients, a written scope of work with production schedule, and defined usage terms come standard. If your procurement process needs something specific, send the requirement list with your brief and we'll confirm what applies.